Crown of metal thorns In addition to the historical context of Christ’s narrative, we are confronted with a somber contemporary reality where those who dare to speak the truth face the grim prospect of arrest, humiliation, torture, and ultimately, a tragic fate at the hands of a repressive regime. While we are familiar with the narrative of Christ’s story, it

Moving Backward Through Present Time I do not move forward, but backward. Time itself is unchangeable, yet its perception is fluid and shaped by our experience. Time is precious and deserves respect; at times it passes slowly, at other times quickly. Sounds, touches, and unfamiliar obstacles alter my path. Each encounter becomes a moment of confrontation with what I have

Hoch die internationale Solidarität “Hoch die internationale Solidarität” is the resounding slogan echoed in every German demonstration against the current Iranian regime. This powerful chant represents the unity of people worldwide, the defiance against oppressive governments, and a call for solidarity. At particular times during the exhibition run, I will bring to life the rhythm of the slogan – through

„My heart my roots“ von Zahra Ghadimian The feeling of eternal inner conflict and the longing for a lost homeland are the central themes of Zahra Ghadimian’s artwork “My Heart My Roots.” Zahra Ghadimian is an artist from Maragheh, a city in northwestern Iran. She lived near Tehran for some time before emigrating to Florence and finally to Munich. The

The Body of Time Time is something I think about constantly. I explore its rhythm, repetition, and inner contradictions. For me, time is both deeply valuable and strangely indifferent, always moving forward regardless of our presence.The Body of Time is a performative work that explores this experience. In it, a body moves back and forth sixty times before stepping into

Safe Spaces Curved and white shapes are metaphors for inner safe places. These are spaces each person may build within their heart and mind for refuge, silence, or a return to the self. Some of these spaces are cracked or collapsed, yet their emotional traces remain within the individual and in the surrounding space. Photos:Stephanie Rössing